Fashion

Nicole J. Jenni Braun is a passionate gemstone expert, jewelry designer and trained gemologist G.G. from the GIA (Gemological Institute of America) in New York. Her company Braun & Stone in Zug stands for individual jewelry creations and expert craftsmanship and helps in the search and evaluation of rare and high quality gemstones and pearls.

 


Left: Nicole J. Jenni Braun – here in her second home and her “power place” Costa Rica – worked as a successful lawyer before she followed her passion for gemstones and jewelry and founded Braun & Stone. Right: The turtle is the key visual of Braun & Stone. Inspired by the beach where Nicole J. Jenni Braun and her family live in Costa Rica, the turtle symbolizes for Braun & Stone the elemental force of nature, change and renewal, the closeness of life and death.

 

Ms. Braun, you are a lawyer admitted to the bar and have worked successfully in the financial sector. How did you get from law to jewelry?
Actually, it was the other way around. The passion for precious stones and beautiful jewelry has accompanied me since my earliest youth. Already at the age of about 10 years I made jewelry from different coloured foils and exhibited it on aubergine coloured velvet from my grandmother. My family was my “clientele”.

the joy of jewelry and stones, but also the fun of “trading” has fascinated you ever since? 
Yes, in any case it is both! On my numerous journeys – I was already in Asia alone at the age of 17 – I have always bought gemstones or pieces of jewelry. I found pleasure in negotiating with people, selecting beautiful stone qualities and imagining what I could create from them.

So you have also taken risks in the search for the best pieces?
My first expensive stone was an over 3 ct. large emerald, which I bought when I was just under 20 years old. I love the lush green and the “jardin”, as they call the inside of the stone. Ten years later – I had just passed my bar exam – I bought particularly beautiful pearls on a trip to Asia. When I had them appraised at home, it turned out that I had selected exceptionally beautiful pieces at a very good price.

Which confirmed your penchant for stones and spurred your creativity. Despite that, you stuck to the law for now?
For the next 10 years I worked successfully in the financial sector in Zurich. In a way, however, I lacked the aesthetic and creativity in my daily work. I missed immediate feedback from customers in the sense that I could experience their satisfaction in a tangible way when they held a product in their hands that they liked.

Today you can! how did it come about?
While still working in the world of finance, in 2006 I started studying gemmology at the Gemological Institute of America (GIA), the world-renowned gem valuation company, in New York. I spent almost all my holidays in Manhattan and completed many subjects via distance learning under the supervision of a Bernese notary public. In 2010, I was the only non-precious gemstone student to graduate at the first attempt and was the second best of the year in the diamond certification. At that time I was already mother of a three-month-old son. Two years later, when my daughter was also born, I decided to leave the financial world for good to start my own business in gemstone trading and jewelry design.

Was it difficult for you to gain a foothold in that business?
The competition in the jewelry world is fierce. The feeling that nobody was waiting for me and my ideas came up every now and then. But always my conviction to do the right thing won out. I did not want to have to say in the future that I had not lived my dreams. The very positive feedback from my customers also ultimately served as motivation to go further and further.

You have chosen a small turtle as the key visual for your company. What does it symbolise for you?
The turtle is inspired by the beach in the immediate vicinity of which we live in our second home and “my power place” Costa Rica. For me it symbolizes the elemental force of nature, change and renewal, the closeness of life and death. For generations, hundreds of thousands of these primeval animals have been coming to this beach according to a rhythm dictated by the moon and the seasons, laying their eggs, from which a few weeks later new life struggles its way through the inhospitable dark sand, only to partly die again just minutes later. This spectacle of nature puts many things from daily life back into their proper position. We are all here only for a certain time and should leave as many positive traces as possible. I would like to make the customers happy with my creations. So I am always excited at the moment when the packaging is opened and the piece of jewelry is looked at. If I see the enthusiasm in the eyes of the customer, then everything is fine.

What would you say distinguishes your collection? 
It’s clear that I embody a certain style. My pieces of jewelry, whether purchased or designed and produced by myself, are often relatively simple but with a certain refinement. They are always characterized by the high quality and/or rarity of the materials used as well as by the special color-material combination. The pieces of jewelry must always be wearable, they should not only wait in the safe for their rare big appearances. My collection also includes design classics from times gone by. My favourite Art Deco jewelry pieces – I wear my platinum ring with an old-cut diamond from this period almost every day – which I also find at international trade fairs, can be combined in a very modern way. Then there are the gemstones and pearls that continue to magically attract me at trade fairs or when I visit a dealer! Some of them are real rarities due to their quality and individuality. 

So you collect pieces that you include in your collection, but also create and produce individual jewelry?
Yes, this gives me the opportunity to really respond to the wishes of my customers. Often I get inspiration for colour combinations or even design in nature. It’s amazing what’s practically ready for collection right in front of my eyes.

What do you pay particular attention to during production of Your jewelry?
I always give guarantees for my gemstones and jewelry, and I also select my suppliers accordingly: my long-standing business relationships with international stone and jewelry dealers, who all supply long-established, renowned jewelry houses, are very valuable to me. These partners are also available to me at any time for extensive selections or exhibitions.

For the sale of your beautiful jewelry you have chosen your own special way..
I do not run a traditional sales outlet with security personnel for my jewelry in an expensive city location. Instead, I organize culinary appealing jewelry cocktails at the different locations, and then arrange personal appointments with customers. Over the years, this approach has proven to be ideal, as the trend is increasingly moving in the direction of avoiding expensive business locations in favour of competitive prices, but still being close to the customer. I can thus guarantee very attractive conditions even for jewelry creations that are manufactured entirely in Switzerland.

www.braunandstone.com

 

Gallery: © Braun & Stone

Braun & Stone’s own creations made of high-quali-ty gemstones as well as unique, often antique pieces of jewelry can be found in the Braun & Stone collection.

The personal contact with the people who adorn themselves with the trouvailles and creations to emphasize their personality is very important to Nicole J. Jenni Braun. With her work she creates positive emotions, which are a source of strength for her.

“With the help of sketches and models, we develop a project together within the set budget or search for the right piece
of jewelry until I feel the true enthusiasm of the customer.”

You know those stories about Rolls-Royce? They are all true

Upon announcing that Rolls-Royce equips its motor cars with a refrigerator that has two cooling modes: ‘Summer’ and ‘Winter’, thus ensuring occupants’ beverages are delivered at the optimum temperature for the relevant season, the marque has witnessed significant interest in the myths and legends that endear so many to the brand. In this spirit, the time is now to reveal more of the truths that have defined the modern Rolls-Royce success story.

Images: Rolls-Royce

1) At prototype stage the 6.75-litre Rolls-Royce V12 engine had to faultlessly revolve 750million times before being approved for production.

2) The mechanism that retracts the Spirit of Ecstasy to prevent theft and damage is comprised of 24 unseen linkages and bearings.

3) 14 highly qualified Rolls-Royce engineers run a fleet of 16 intensive test vehicles 365 days a year on top of their normal workloads. They do this without complaint.

4) The sensors in a Rolls-Royce are so sensitive they are able to detect if a driver or passenger shifts their body weight from one side to the other and adapt accordingly.

5) The 1300 Watt, 18 speaker Bespoke Audio system in a Rolls-Royce is so exhaustively tuned, interior designers must seek the permission of the audio engineer who created it before making any design changes.

6) Much like the wood veneer inside a Rolls-Royce motor car, the weave of the carbon-fibre that makes up the central spine of Dawn’s ‘Aero Cowling’ tonneau cover is expertly hand book-matched to achieve a perfect chevron pattern.

7) The marque’s lauded Starlight Headliner began as a Bespoke request. A Rolls-Royce client was suffering from Photophobia, an extreme sensitivity to light, and was only able to enjoy reading his daily newspaper under the starlight on his rural ranch. He requested that the marque develop a similar ambience in his Rolls-Royce.

8) The marque’s Bespoke designers increasingly facilitate commissions via mobile messaging services. Indeed, one of the first clients to take delivery of her Cullinan commissioned the motor car entirely via WhatsApp, witnessing the finished product for the first time upon its arrival at her home in the United States of America.

9) Before building the ‘Clean Room’ where the ‘Gallery’ fascia within Rolls-Royce Phantom is assembled, Associates from The Home of Rolls-Royce visited pharmaceutical and microprocessor Clean Rooms in order to fully understand these complex manufacturing laboratories.

10) A Rolls-Royce Wraith ascended the famous hill-climb at the 2015 Goodwood Festival of Speed in just 52.71 seconds. A feat that could not be bettered by two Maserartis, a Porsche and a Bentley.

11) Sommeliers advise that the optimum serving temperatures of non-vintage Champagne is six degrees centigrade and vintage Champagnes is 11 degrees centigrade. Rolls-Royce equips its motor cars with a refrigerator that operates two cooling modes, chilling to six degrees and 11 degrees respectively. 

12) Phantom’s world-leading sound insulating properties were employed by London-based musician Skepta, who was able to record a track in its entirety from the rear seat.

13) 4,500 automated electronic test and commissioning sequences are executed during assembly to ensure the car is crafted to its correct specification. A further 3,500 take-place once the car is finished. A car must pass every test before it is permitted to leave the factory.

14) Over 100 microprocessors decipher 130 million lines of code, ensuring every Rolls-Royce’s suite of cutting edge technological features can be called upon instantly and seamlessly by the driver or passengers.

15) Over 25m of cabling is used to transfer audio data in a Rolls-Royce. Fiber-optic cabling is used to ensure immunity against interference.

16) In 2018, Rolls-Royce added shooting stars to its celebrated Starlight Headliner with eight shooting stars that fire at random across the ceiling panel.

17) To achieve the marque’s mirror-like finish, 5 layers of paint are applied by the only robots you will find at the Home of Rolls-Royce. Any hard-to-reach spots are painted by highly skilled paint experts. In total the process of applying a flawless exterior finish takes seven days and uses over 100lb of paint.

18) Paint quality is checked by the most sophisticated measuring tool in the world: the human eye. If a car does not meet with the approval of the marque’s notoriously fastidious auditors, it will be scrapped.

19) It takes 17 days to hand-craft the leather elements of a Rolls-Royce interior.

20) The most detailed single piece of embroidery to feature in a Rolls-Royce motor car is a Peregrine Falcon, the fastest bird in the world. The photo-realistic design consists of nearly 250,000 stitches and took a team of designers, craftspeople and engineers over one month to develop.

21) The 48 painstakingly crafted wood parts that comprise a Phantom interior take 28 days to produce. A sense of seamless flow of grain is ensured by only using wood from one tree for each motor car.

22) Mark Court is the only man in the able to hand-apply a perfectly straight Phantom coachline. In total it takes 3 hours per side. He uses special brushes made from ox and squirrel hair to ensure the line is precisely level and a uniform 3mm in width. He honed his steady-hand painting pub-signs.    

23) Engineers will analyse cavities with an endoscope during monsoon water tests to ensure no moisture ingress. Should a car fail this test it will be scrapped.

24) A Rolls-Royce is so quiet, Sir Henry Royce ordered the fitting of signs at the factory proclaiming ‘Caution, Silent Cars’. Modern health and safety dictates that craftspeople maneuvering cars around the Manufacturing Plant must intermittently sound the horn as a warning.

25) A Rolls-Royce rides on a 16litre air cushion married to dampers and springs that dynamically adjust themselves every five milliseconds to deliver the marque’s sovereign magic carpet ride.

26) When driven in a spirited manner the Rolls-Royce suspension system can draw on two high-torque electrical motors to minimise body-roll.

27) Legend has it that during a particularly spirited birthday celebration, Keith Moon drove his Corniche into a hotel swimming pool. This story is untrue – he was far too fond of his Rolls-Royce to let it come to harm. 

28) When creating the Rolls-Royce Architecture, on which all contemporary Rolls-Royces are built, engineers incorporated a resonance chamber into the body’s sill section. This, essentially, transforms the body of the motor car into a subwoofer, delivering exceptional low frequency audio performance.

29) A tailor made heat station brings every Rolls-Royce body to an exact temperature of 25 degrees Celsius to ensure that the rubber seal between the sunroof and the body is perfectly mated, this eliminates any road and wind noises over many years of driving.

30) It takes 60 pairs of hands 400 hours to build a Rolls-Royce – this can more than double depending on the complexity of a Bespoke commission.

31) Rolls-Royce sells cars on five continents. Should a customer live in a country without a dealer, specially trained technicians will fly to their home country to service their car. This small band of experts have been affectionately dubbed ‘Flying Doctors’.

32) The brief given to the marque’s engineers tasked with developing the roof mechanism for the Rolls-Royce Dawn was to create a silent ballet. They emphatically succeeded. While being the largest production convertible roof in the world, it is also the quietest. 

33) During the testing period of the Rolls-Royce Dawn, lead Test and Analysis engineers were required to wear shorts so they were able to detect unpleasant airflow around their legs and feet. This testing was conducted in January at three degrees centigrade.

34) At 70 mph, a Rolls-Royce still has 90% of its power left in reserve.

35) A sensor within the Gallery Clean Room continually measures the particle concentration in microns – an alert is sent if particles are detected at a size larger than 0.001 of a micron. The width of a human hair is between 50-100 microns in diameter.

36) Every single component that makes a Phantom Gallery is painstakingly cleaned by hand inside a particle proof cleanroom before final assembly – this takes two people two hours to complete.

37) The Spirit of Ecstasy is so valued by the marque that there is a safe lock on the shop floor containing no more mascots than the necessary for one day of production. The code is known only by a small circle of craftspeople.

www.rolls-roycemotorcars.com

 

© Thomas Wirth

Designed for the modern woman with style, the exclusive jewelry of Delfina Delettrez Fendi combines classic pieces with modern design in honor of the newly renovated The St. Regis Rome.

Marriott International‘s St. Regis Hotels & Resorts brand has been working with Delfina Delettrez Fendi, the founder and designer of the Delfina Delettrez brand, since this year. Inspired by the recently completed 40 million renovation of St. Regis Rome, Delettrez presents an exclusive limited collection of three selected gold jewellery pieces: an exquisite open necklace, earrings and a double ring with refined details. The Capsule Collection has been available since mid-June and the pieces cost from 1,050 euros.

Jenni Benzaquen, Vice President Europe for Marriott International‘s luxury brands, said: „Delfina Delettrez has an extraordinary aesthetic sense of how past and present can be linked by combining traditional Italian craftsmanship with her modern, unique style. As part of its collaboration with St. Regis, its Capsule Collection perfectly embodies the recent redesign of St. Regis Rome. Delettrez‘s passion for her native Rome and its everlasting esprit has also been incorporated.“ Delettrez is among Forbes Magazine‘s „30 under 30“ and has been nominated for the „Business of Fashion 500“, a list of people who are changing the international fashion industry. The designer is the fourth generation of the Fendi family and founded her company in 2007. Since the launch of her brand, she has developed a unique aesthetic that combines classic goldsmith techniques with innovative, contemporary materials. The result: modern, futuristic jewellery. A lot of heart and soul goes into every design. The designs are implemented in artistic handwork by masters of their trade.

„Rome is a city where contrasts from the past and the present coexist in a unique and harmonious way,“ explains Delfina Delettrez. „The renovation of St. Regis Rome demonstrates the duality of this city by combining an angular, modern look with historical architecture. To usher in this new era for St. Regis Rome, I wanted to create a classic shape with a new, modern twist. I love the idea that each piece can be worn in two different ways – as an expression of the dual character of the house.“

www.stregis.com
www.stregisboutique.com
www.delfinadelettrez.com

© Thomas Wirth
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