Art & Design

A few years ago, Russian Irina Kazaridi started her career as an international photo-grapher. Since then she travels the world to shoot the “behind the scenes moments“ of polo. In St. Moritz she presents an exhibition of her work at the VIP tent.

Irina Kazaridi, a fine photographer who was an artist since childhood & studied art in St. Petersburg before going to the European Institute of Design in Milan.

She has exhibited different shows in various cities around Russia, Europe & Dubai. Including “Persistence of Vision”, about permanent and changeable, it’s a series of seascapes photographed over a period of time. “Light Frequency”, a series about yachts at night -Illusory play of light and reflections.

The research of a new story which could give an eternal inspiration led the artist into the world of horses: the grace enclosed in the anatomy of the animal, the sculptural lines of the croup and the majestic neck turn- the search of creating the perfect portrait – in the incessant pursuit of perfection.

Culture and tradition of horses originates in the East.

Hence the interest and love of the artist to places such as Meydan , where some of the brightest races of the world take place, and on the stables you can take pictures of the best horses.

Polo is another passion of the artist, which is reflected in her latest collection – emotion and human connection combine in this remarkable series. Irina travels the world from Normandy, Tuscany , St Moritz, Spain , Argentina, Dubai & Palm Beach capturing the drama and majestic grace of horse, rider, spectator trinity.

About my style and technique:

Characteristic techniques and features that form my style:

I work alone and have no any assistance in my shootings , except the groom or horseman. I don’t use any lamps, flashes or artificial lighting-

I Love to work with the natural sun light : diffuse, reflected or direct, which looks more natural on the photo and also is more comfortable for the horses.

The worthy result depends not only on my professionalism and a good camera;

it’s a series of circumstances putted together , as a weather conditions and light, character and current mood of the horse.

That’s why The results of shootings are often unpredictable, It’s kind of lottery, where the Luck is an irreplaceable factor.

In my frame, I want to emphasize the beauty of my model and even make it more perfect than in reality : I attach great importance to graphic forms, perfect composition and light.

Most of my works are black and white , minimalistic , on a white background.

Maybe that’s why my horse portraits are very graphic, and in my opinion, they are the perfect design item.

I like the idea of deliberately creating my work for interiors – probably because my muses are designers who revere horses , like Christian Liagre, Gilles & Boissier, Hermès…

Images: © Irina Kazaridi

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www.irinakazaridi.com • instagram #irinakazaridi

Jaguar Classic will create six matched pairs of E-types to celebrate the iconic sports car’s 60th anniversary in 2021:
the E-type 60 Collection.

  • In March 2021 Jaguar will celebrate the 60th anniversary of the iconic E-type
  • Jaguar Classic is creating six limited-edition matched pairs of restored 3.8 E-types
  • E-type 60 Edition specification includes commemorative detailing and exclusive paint colours, paying tribute to two of the most famous examples: ‘9600 HP’ and ‘77 RW’
  • The E-type 60 Collection is available to order now. Customers interested in this unrepeatable opportunity should contact Jaguar Classic directly: www.jaguar.com/classic, +44 (0) 2476 566 600, sales@classic-jaguarlandrover.com
  • For regular updates from Jaguar Classic, including the progress of the E-type 60 Collection, follow the new official @Jaguar.Classic account on Instagram

Jaguar Classic will create six matched pairs of E-types to celebrate the iconic sports car’s 60th anniversary in 2021: the E-type 60 Collection.

Each pair of E-type 60 Edition cars pay tribute to two of the oldest and most famous Jaguar E-types of all: ‘9600 HP’ and ‘77 RW’, which played pivotal roles in the unveiling of the car at its world debut in Geneva, Switzerland in March 1961.

An Opalescent Gunmetal Grey 3.8-litre Fixed-Head Coupe registered ‘9600 HP’ was one of the first two E-types unveiled to specially-invited guests at the Parc des Eaux Vives. Driven ‘flat out’ to Switzerland from Coventry the night before the launch, public relations manager Bob Berry arrived with minutes to spare for demonstration drives.

With an outstanding reaction to the E-type resulting in overwhelming demand for drives with Berry, legendary Jaguar Test and Development Engineer Norman Dewis was told to ‘drop everything’ and drive a British Racing Green 3.8-litre roadster registered ‘77 RW’ overnight from Coventry to Geneva.

Both cars were also used for media road tests, which proved the car’s sensational performance –including its 150mph top speed – matched its jet aircraft-inspired lines honed in a wind tunnel by aerodynamicist Malcolm Sayer.

Every E-type 60 Edition built by the team at Jaguar’s Classic Works facility in Warwickshire will be an existing 1960s 3.8-litre E-type fully-restored to exclusive 60th anniversary tribute specification.

Each E-type 60 Collection pair will include one Flat Out Grey ‘9600 HP’ coupe and one Drop Everything Green ‘77 RW’ roadster, with unique paint formulations exclusively reserved for these cars. Each E-type 60 Edition will feature a number of 60th anniversary commemorative design details created in conjunction with Jaguar Design Director Julian Thomson.

Synonymous with the revolutionary zeitgeist of the Swinging Sixties, E-types were owned by celebrities including Steve McQueen, Brigitte Bardot, Frank Sinatra, George Harrison, Tony Curtis and Britt Ekland. And, thanks to the beauty of its sculptural forms, its functionality and its impact on design, an E-type became only the third car to join The Museum of Modern Art’s design collection in 1996.

“The Jaguar E-type is a genuine icon, as sensational today as the moment it was unveiled in 1961. It’s testament to the E-type’s advanced design and engineering that it can still be enjoyed and admired as passionately almost 60 years on. The E-type 60 Collection is a lasting tribute for E-type admirers, honouring the car’s legacy and the achievements of the team that created it – many of whom have descendants working for Jaguar Classic today, expertly restoring, maintaining and future-proofing enjoyment for generations to come.” DANIEL PINK DIREKTOR, JAGUAR CLASSIC

Jaguar Classic is the world’s number one source of genuine parts and owner services for the E-type – from health-checks and sympathetic upgrades to restoring expertly selected examples to ‘Reborn’ specification, meticulously returning them to as-new condition.

For more information on the full range of cars, services, parts and experiences offered by Jaguar Classic, visit: www.jaguar.com/classic

For regular updates from Jaguar Classic, including the progress of the E-type 60 Collection, follow the new official @Jaguar.Classic account on Instagram.

  • Grey Cermet, Richard Mille’s new exclusive material
  • The lightness of titanium meets the hardness of diamond
  • Limited edition of 140 pieces

Grey Cermet, Richard Mille’s new exclusive material The lightness of titanium meets the hardness of diamond Limited edition of 140 pieces

True to the Richard Mille spirit, grey Cermet is the fruit of painstaking research conducted by the brand, which is unrelenting in its commitment to the creation of new materials. This exclusive Richard Mille material in watchmaking combines the lightness of titanium and the hardness of diamond.

The construction of the automatic movement gives pride of place to titanium.

Its functions notably include a GMT display that can be simply adjusted thanks to a pushpiece at 9 o’clock, a 24-hour flyback chronograph, and an annual calendar. The added grey Cermet is adapted to the pure aerodynamic lines of the iconic case, which measures 50 x 42.70 mm with a total thickness of 16.15 mm.

The Cermet owes its unique grey colour to the combination of a metallic zirconium matrix with high-performance ceramic inserts. Its implementation required a degree of rigour commensurate with that needed to create the materials themselves. Heating and pressing together very different kinds of materials at a high temperature without altering their respective qualities was a challenge.

It proved even more difficult to obtain a homogeneous whole, as nickel and cobalt, which are normally used in this family of hard materials, were excluded in order to adhere to REACH standards, which ensure safety in the production and use of chemicals in the European industry.

It took many years of development for Richard Mille and the IMI Group, specialising in microtechnology, to remove these undesirable binders and only retain suitable materials. The innovative procedure used for this solution pairs classic hot stamping with a series of powerful electrical current pulses to increase the sintering kinetics, a technique known as ‘flash sintering’.Its density of 4.1 g/cm 3 – less than that of titanium – and its hardness of 2,360 Vickers – almost the same as diamond’s 2,400 Vickers make Cermet a judicious choice for use in bezels that are very exposed to scratches, while maintaining overall lightness. Cermet’s physical properties are widely recognised, hence its frequent use in ballistic protection, external aerospace fuselage components, and in the brakes of competition vehicles.

The combination of a Carbon TPT ® caseband, a grade 5 titanium caseback and a grey Cermet bezel helps to significantly reduce the weight of the RM 11-05.

Limited to 140 pieces, the RM 11-05 Automatic Flyback Chronograph GMT will be available from July 2020.

Gallery:

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Real sports cars deliver extraordinary driving performance, but usually have a somewhat spartan appearance. For those unwilling to sacrifice any luxury, space or comfort, the Audi S8 has been available since 1996, and as regards acceleration, it can hold its own against the contemporary Porsche 911. The fourth generation of the racy luxury limousine came onto the market in early 2020, with a powerful V8 bi-turbo petrol engine delivering 571 hp (420 kW) and 800 Nm. Acceleration from 0 to 100 km/h: 3.8 seconds! As such, it is faster than a current 992 model. But can it also compete with even faster super sports cars? With this comparison, ABT Sportsline comes into play with an extremely attractive performance upgrade.

The software of the high-tech ABT Engine Control unit has been precisely adapted for this model and can unleash a hefty 700 hp (515 kW) from the new S8. Maximum torque increases to 880 Nm. This amazing power is clearly reflected in the new performance figures: Now the traditional standard sprint from a standing start to 100 km/h is achieved in 3.4 seconds. For vehicles equipped with ABT Power and ceramic brakes, an optional top speed increase to 270 km/h is available. The 5.18-metre limousine, weighing over 2.3 tonnes, generally cuts a fine figure, even when cornering. This is down to the meticulously designed standard suspension. The chassis can tilt up to three degrees when cornering, and a camera constantly monitors the next 15 metres, to facilitate active response to any uneven surface.

Aesthetically, the Audi S8 maintains an elegant, understated appearance. Therefore, upon request, ABT Sportsline adds just one discreet carbon fibre rear spoiler. Additional sporty trappings include 20-inch ABT GR or FR wheels. The latter is also available in 21-inch, as featured on the pictured vehicle. The design is a particularly attractive interpretation of the classic five-spoke design. Its diamond-machined outlines and mystic black finish provide an interesting colour contrast. In turn, the GR features a striking concave rim well and a glossy black painted wheel chassis contrasts with a diamond-machined rim flange. The sporty and elegant wheel is also available as an alternative in matt black with an entirely diamond-machined finish.

From inside too, the owner can drop subtle hints to his passengers that they are not travelling in a standard S8. The ABT start-stop-switch-cap and ABT shift knob cover make this possible. A step on the accelerator will remove any doubt.

*The engine performance data is in accordance with the stipulations of EWG/80/1269. The process and dynamometer manufacturer have been certified and authorised by the vehicle manufacturer.For further details, visit www.abt-sportsline.com/performance-measurement.

Nicole J. Jenni Braun is a passionate gemstone expert, jewelry designer and trained gemologist G.G. from the GIA (Gemological Institute of America) in New York. Her company Braun & Stone in Zug stands for individual jewelry creations and expert craftsmanship and helps in the search and evaluation of rare and high quality gemstones and pearls.

 


Left: Nicole J. Jenni Braun – here in her second home and her “power place” Costa Rica – worked as a successful lawyer before she followed her passion for gemstones and jewelry and founded Braun & Stone. Right: The turtle is the key visual of Braun & Stone. Inspired by the beach where Nicole J. Jenni Braun and her family live in Costa Rica, the turtle symbolizes for Braun & Stone the elemental force of nature, change and renewal, the closeness of life and death.

 

Ms. Braun, you are a lawyer admitted to the bar and have worked successfully in the financial sector. How did you get from law to jewelry?
Actually, it was the other way around. The passion for precious stones and beautiful jewelry has accompanied me since my earliest youth. Already at the age of about 10 years I made jewelry from different coloured foils and exhibited it on aubergine coloured velvet from my grandmother. My family was my “clientele”.

the joy of jewelry and stones, but also the fun of “trading” has fascinated you ever since? 
Yes, in any case it is both! On my numerous journeys – I was already in Asia alone at the age of 17 – I have always bought gemstones or pieces of jewelry. I found pleasure in negotiating with people, selecting beautiful stone qualities and imagining what I could create from them.

So you have also taken risks in the search for the best pieces?
My first expensive stone was an over 3 ct. large emerald, which I bought when I was just under 20 years old. I love the lush green and the “jardin”, as they call the inside of the stone. Ten years later – I had just passed my bar exam – I bought particularly beautiful pearls on a trip to Asia. When I had them appraised at home, it turned out that I had selected exceptionally beautiful pieces at a very good price.

Which confirmed your penchant for stones and spurred your creativity. Despite that, you stuck to the law for now?
For the next 10 years I worked successfully in the financial sector in Zurich. In a way, however, I lacked the aesthetic and creativity in my daily work. I missed immediate feedback from customers in the sense that I could experience their satisfaction in a tangible way when they held a product in their hands that they liked.

Today you can! how did it come about?
While still working in the world of finance, in 2006 I started studying gemmology at the Gemological Institute of America (GIA), the world-renowned gem valuation company, in New York. I spent almost all my holidays in Manhattan and completed many subjects via distance learning under the supervision of a Bernese notary public. In 2010, I was the only non-precious gemstone student to graduate at the first attempt and was the second best of the year in the diamond certification. At that time I was already mother of a three-month-old son. Two years later, when my daughter was also born, I decided to leave the financial world for good to start my own business in gemstone trading and jewelry design.

Was it difficult for you to gain a foothold in that business?
The competition in the jewelry world is fierce. The feeling that nobody was waiting for me and my ideas came up every now and then. But always my conviction to do the right thing won out. I did not want to have to say in the future that I had not lived my dreams. The very positive feedback from my customers also ultimately served as motivation to go further and further.

You have chosen a small turtle as the key visual for your company. What does it symbolise for you?
The turtle is inspired by the beach in the immediate vicinity of which we live in our second home and “my power place” Costa Rica. For me it symbolizes the elemental force of nature, change and renewal, the closeness of life and death. For generations, hundreds of thousands of these primeval animals have been coming to this beach according to a rhythm dictated by the moon and the seasons, laying their eggs, from which a few weeks later new life struggles its way through the inhospitable dark sand, only to partly die again just minutes later. This spectacle of nature puts many things from daily life back into their proper position. We are all here only for a certain time and should leave as many positive traces as possible. I would like to make the customers happy with my creations. So I am always excited at the moment when the packaging is opened and the piece of jewelry is looked at. If I see the enthusiasm in the eyes of the customer, then everything is fine.

What would you say distinguishes your collection? 
It’s clear that I embody a certain style. My pieces of jewelry, whether purchased or designed and produced by myself, are often relatively simple but with a certain refinement. They are always characterized by the high quality and/or rarity of the materials used as well as by the special color-material combination. The pieces of jewelry must always be wearable, they should not only wait in the safe for their rare big appearances. My collection also includes design classics from times gone by. My favourite Art Deco jewelry pieces – I wear my platinum ring with an old-cut diamond from this period almost every day – which I also find at international trade fairs, can be combined in a very modern way. Then there are the gemstones and pearls that continue to magically attract me at trade fairs or when I visit a dealer! Some of them are real rarities due to their quality and individuality. 

So you collect pieces that you include in your collection, but also create and produce individual jewelry?
Yes, this gives me the opportunity to really respond to the wishes of my customers. Often I get inspiration for colour combinations or even design in nature. It’s amazing what’s practically ready for collection right in front of my eyes.

What do you pay particular attention to during production of Your jewelry?
I always give guarantees for my gemstones and jewelry, and I also select my suppliers accordingly: my long-standing business relationships with international stone and jewelry dealers, who all supply long-established, renowned jewelry houses, are very valuable to me. These partners are also available to me at any time for extensive selections or exhibitions.

For the sale of your beautiful jewelry you have chosen your own special way..
I do not run a traditional sales outlet with security personnel for my jewelry in an expensive city location. Instead, I organize culinary appealing jewelry cocktails at the different locations, and then arrange personal appointments with customers. Over the years, this approach has proven to be ideal, as the trend is increasingly moving in the direction of avoiding expensive business locations in favour of competitive prices, but still being close to the customer. I can thus guarantee very attractive conditions even for jewelry creations that are manufactured entirely in Switzerland.

www.braunandstone.com

 

Gallery: © Braun & Stone

Braun & Stone’s own creations made of high-quali-ty gemstones as well as unique, often antique pieces of jewelry can be found in the Braun & Stone collection.

The personal contact with the people who adorn themselves with the trouvailles and creations to emphasize their personality is very important to Nicole J. Jenni Braun. With her work she creates positive emotions, which are a source of strength for her.

“With the help of sketches and models, we develop a project together within the set budget or search for the right piece
of jewelry until I feel the true enthusiasm of the customer.”

In a joint initiative the Federation of International Polo, Polo & Art and Squinkbox in San Diego, California, the world of polo may have the opportunity to enjoy the art of polo.

Marcelo Decoud, ( an international veteran polo player) Ceo of Polo & Art and Patricio Lloret, Ceo of Squinkbox Printing ,together with FIP (Federation of International Polo) will launch in 2020 a web page with new and renowned artists dedicated to illustrating in their works different scenes of the sport of kings.

The Polo & Art website will feature an online art gallery, where polo lovers will not only appreciate the works of different artists, but also access them through high quality certified collectable limited edition giclee prints.

MELINDA BREWER , ART DIRECTOR OF POLO & ART
The artistic direction of the project is in charge of the renowned polo artist Melinda Brewer.

Melinda has been painting professionally since 1982, recognized as one of Canada’s foremost wildlife artists.Since 1992, Melinda has concentrated on her passion on one of her favorite subjects, equine art, both commissioned portraits and specifically the art of polo.  Her paintings have been featured in exhibitions at the Kentucky Derby Museum, the American Academy of Equine Art, and in polo clubs across North America.  Her polo pony portraits were  featured in an annual exhibition and in the permanent collection of International Polo Club Palm Beach. She is represented in the permanent collection “Horses to Remember” at the National Museum of Polo and Hall of Fame since 2000.  Her artwork has been featured in several polo magazines, including Hurlingham, and the USPA Polo Players Edition. She has contributed artwork and sponsorship to the American Polo Horse Association, the Polo Training Foundation as well as the Polo Players Support Group. Her work has been acclaimed and recognized by many polo players and polo enthusiasts as well as renowned art collectors.  Her work is appreciated for the sensitive understanding and detail in watercolor portraiture and for capturing the elegance and nuance of polo scenes.

THE POLO STARS PROJECT
Melinda is the author and creator of Polostars® a book published annually since 2002 featuring her polo art and polo pony portraits and biographies. She is currently working on the thirteenth volume in the series.  In partnership with the National Museum of Polo she has produced three books, Poloart, a season of polo and art.  She is currently working on the fourth book, available in early 2020.

Also the initiative make available to polo lovers the access for commissioned works requests which allows to create a personalized original artwork from a photograph.

www.fippolo.com

 

Polo & Art Collection:

Melinda Brewer, Melinda horses, ( the five polo ponies in B&W)

 

Guzman Garcia Lenguas, a novel artist from Uruguay.

© Thomas Wirth

Designed for the modern woman with style, the exclusive jewelry of Delfina Delettrez Fendi combines classic pieces with modern design in honor of the newly renovated The St. Regis Rome.

Marriott International‘s St. Regis Hotels & Resorts brand has been working with Delfina Delettrez Fendi, the founder and designer of the Delfina Delettrez brand, since this year. Inspired by the recently completed 40 million renovation of St. Regis Rome, Delettrez presents an exclusive limited collection of three selected gold jewellery pieces: an exquisite open necklace, earrings and a double ring with refined details. The Capsule Collection has been available since mid-June and the pieces cost from 1,050 euros.

Jenni Benzaquen, Vice President Europe for Marriott International‘s luxury brands, said: „Delfina Delettrez has an extraordinary aesthetic sense of how past and present can be linked by combining traditional Italian craftsmanship with her modern, unique style. As part of its collaboration with St. Regis, its Capsule Collection perfectly embodies the recent redesign of St. Regis Rome. Delettrez‘s passion for her native Rome and its everlasting esprit has also been incorporated.“ Delettrez is among Forbes Magazine‘s „30 under 30“ and has been nominated for the „Business of Fashion 500“, a list of people who are changing the international fashion industry. The designer is the fourth generation of the Fendi family and founded her company in 2007. Since the launch of her brand, she has developed a unique aesthetic that combines classic goldsmith techniques with innovative, contemporary materials. The result: modern, futuristic jewellery. A lot of heart and soul goes into every design. The designs are implemented in artistic handwork by masters of their trade.

„Rome is a city where contrasts from the past and the present coexist in a unique and harmonious way,“ explains Delfina Delettrez. „The renovation of St. Regis Rome demonstrates the duality of this city by combining an angular, modern look with historical architecture. To usher in this new era for St. Regis Rome, I wanted to create a classic shape with a new, modern twist. I love the idea that each piece can be worn in two different ways – as an expression of the dual character of the house.“

www.stregis.com
www.stregisboutique.com
www.delfinadelettrez.com

© Thomas Wirth
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