Design

Ferenc´s passion is horses and to paint horses. He works throughout the international field, often on commissions. His objects are polo, harness racing and dressage.

Ferenc Flamm grew up in Budapest and from an early age fell in love with the horses that are so much a part of the Hungarian noble traditions. His interest continued to mature during his education at The Fine Art College of Budapest and The Hungarian Academy of Fine Arts where he closely studied the horse’s anatomy, muscular structure and movement. He often visited the Hungarian countryside and the classical horse breeding farms so he could study his favourite objects in their genuine and natural habitat.

In 1976 Ferenc moved to Sweden, married and formed a family, while at the same time finding his feet as a graphic designer and artist. Over the past ten years he has returned increasingly to his artistic roots; painting portraits and accomplishing his own art projects. His work has been displayed at art galleries on Broadway, in Soho and in the City Hall, New York, at the U.S. Congress on Capitol Hill in Washington D.C., in Orlando and Fort Lauderdale in Florida, at the Morton H. Meyerson Symphony Center in Dallas and on Long Island. He also participated with his paintings in the Annual Exhibitions of The Society of Equestrian Artists at the Mall Galleries in London.

A MINIMALIST SHAPE THAT HAS PROVEN ITS WORTH, A STRICT UNIFORM AND IMPECCABLE MAINTENANCE: THE NEW DOUBLE C DE CARTIER BAG HAS A LONG LIFE AHEAD.

A typically Grande Maison bag, whose jewelled clasp with Cartier’s initials sets the tone: a metal logo enhanced by a delicate touch of lacquer.

 

ORIGINALLY, IT WAS THE SAME INITIAL MULTIPLIED BY TWO, that of a Parisian family name that crossed the borders of France in the beginning of the 20th century, under the leadership of three jeweller brothers and their father.

A C within a C, two stylised letters inscribed as a token of an exceptional tradition, on the red wax that the jeweller used to seal his gift packages. It is now the focus of the metal C bag.

“We sought to modernise the logo by freeing it from the interior oval, where it had previously appeared on the Maison’s bags. We handled it like a piece of jewellery, with particular attention being paid to its unexpected opening. For the first time, its presence is both aesthetic and functional, not to mention the pretty click sound it makes when closed, further enhancing its jewel clasp.

Moreover, the highly structured bag shape is so streamlined that it allows the clasp to shine. The bag is its perfect backdrop. It was designed to be worn two ways: ‘over the shoulder or crossbody’, thanks to its adjustable shoulder strap.” MARIN YUSON, DIRECTOR OF LEATHER AND LEATHER ACCESSORY CREATION

 

NEITHER TOO SMALL NOR TOO BIG, A TRULY URBAN PIECE, THE DOUBLE C BAG IS A TIMELESS CLASSIC IN ANY WARDROBE.

It can be worn over the shoulder or across the body. Always chic, with the right size and right proportions, it structures every look. A question of style and elegance that boils down to the essentials: simple lines, shoulder strap, smooth leather.

 

THE COLLECTION

DEEP BLACK, INTENSE RED, POWDERED PINK, FUCHSIA PINK:

from the most sensible to the most pop colours, the leather of the Metal C bag radiates with just the right amount of shine to spice up the silhouette.

The metal C bag consists of two versions, a large and a small model, available in four colours, which meet the essentials of small leather goods.

 

 

www.int.cartier.com

NINETY is a new luxury concept located in the heart of Mayfair. Conceived as a progressive relationship between product and experience, the brand aims to combine the most sought after and rarest of watches and jewellery with tailored, exemplary service; all housed in a beautiful Mayfair boutique. The project is owned by Peter Harrison, and operated by his daughter Tilly and her business partner Ben Cleary, the jewellery expert. The two are determined to depart from a conventional sales approach and instead aim to engender longstanding and two-way relationships with their clients – acting not only as the predominant destination for seekers of pre-owned Richard Mille pieces and high jewellery, but also as a trusted and specialist resource, and point of reference to service any client requirement within the luxury market.

The boutique itself is a reflection of this distinct approach; ensconced within the most exclusive retail street in London, the design eschews all traditional norms – orientated towards a relaxed and immersive experience for customers. The displays are minimal yet invariably impressive; trading cluttered quantity for striking quality, and the pieces themselves are showcased throughout the store in a series of private and intimate spaces.

The impression and feel are one of a private Mayfair apartment, rather than a typical transactional retail store; in the words of Project Designers B.A.D Studios “the objective was to create a modern-day retail aesthetic whilst maintaining traditional features in keeping with the residential feel of the interiors”. In a collaborative effort alongside the bespoke interior designer, Interiors by Kitty, their overarching vision was to create an aesthetic which is at once sophisticated and timeless, underpinned by a comprehensive heritage, hand-crafted finish”. In fact, the heart of the boutique lies beyond the main entrance, in the elegant lounge at the rear, where clients can sit comfortably and look through an array of treasures in private, and downstairs where a hidden, intimate bar showcases their latest artwork for sale in a haven away from the outside bustle.

Part of the Richard Mille EMEA group, and designated as the official and exclusive pre-owned retailer in Europe and the Middle East, NINETY represents an evolution in the rapidly emerging, but currently murky pre-owned market. A reputable and trustworthy destination, which houses its own Richard Mille trained watchmaker and workshop, along with a team of experienced specialists from all aspects of the luxury market, NINETY is the place to curate, grow or sell your collection with confidence, and in comfort.

Images: ©NINETY

 

OPENING HOURS: 10:00 – 18:00 MONDAY TO SATURDAY

www.ninetymountstreet.com

INSTAGRAM:
@ninetymountstreet

FACEBOOK:
facebook.com/NinetyMountStreet

LINKED IN:
linkedin.com/company/ninetymountstreet

 

When the Reverso was created in 1931, the Manufacture immediately recognised the design’s wide appeal beyond the sporting arena for which it was originally conceived and, within the first year, began to offer colourful variations on the original black dial.

In chocolate brown, red, burgundy or blue, the lacquered dials created a stylish and exuberant contrast with the case metal and – at a time when coloured dials were rare in watchmaking – made the Reverso appear even more modern and distinctive.

Over the decades, the Reverso has appeared with a variety of dials and in different case sizes – without ever compromising the integrity of the original design – and, in 2016, Jaeger-LeCoultre returned to the stylistic codes of the original 1931 model to create a series of Tribute models.

For 2021, recalling the early use of colour that distinguished the Reverso, La Grande Maison presents the Reverso Tribute Small Seconds in Green. The rich tone of the sunray-brushed lacquer dial and matching leather strap is reminiscent of the deep green of the pine forests that surround JaegerLeCoultre’s home in the Vallée de Joux.

The dial features all of the signature design elements of the Reverso Tribute: the hours are marked by applied indexes rather than numerals. Their faceted shape echoes the form of the Dauphine hands and adds visual depth to the lacquered surface. In the lower half of the dial, the circular track of the small seconds display provides a counterpoint to the linear geometry of the dial and case. Echoing the sunray brushing of the dial, a sunray pattern on the inside of the cradle is visible when the case is flipped over.

In keeping with Reverso tradition, the solid metal back of the reversible case is an ideal canvas for personalisation with a motif or engraving. The owner can choose to keep this personalisation hidden, as a private pleasure, or to turn the case over, so that the back becomes the front.

The slim 8.5mm case houses the manually wound mechanical Jaeger-LeCoultre Calibre 822/2; a rectangular shaped movement with small seconds designed expressly for the Reverso, it offers a power reserve of 42 hours. Reconnecting the Reverso to its roots in the sport of polo, Jaeger-LeCoultre began a collaboration in 2011 with Casa Fagliano. Celebrated throughout the polo world for its handmade boots, Fagliano has created straps for a series of special Reverso models. In keeping with the relaxed modernity of the Tribute collection, the calf leather strap of the new Reverso Tribute Small Seconds, made to Fagliano’s signature design, is in the same green as the dial, creating a unified aesthetic that underlines the timelessness of the Reverso design.

Reverso Tribute Small Seconds

 

TECHNICAL SPECIFICATIONS
REVERSO TRIBUTE SMALL SECONDS

Case material: Steel
Case dimensions: 45.6 x 27.4 mm
Thickness: 8.5mm
Movement: Manually wound Jaeger-LeCoultre Calibre 822/2
Functions: Hours, minutes, small seconds
Power reserve: 42 hours
Water resistance: 30 metres
Case back: closed
Strap: Green calf
Reference: Q3978430

 

ABOUT THE REVERSO

In 1931, Jaeger-LeCoultre launched a timepiece that was destined to become a classic of 20th-century design: the Reverso. Created to withstand the rigours of polo matches, its sleek, Art Deco lines and unique reversible case make it one of the most immediately recognisable watches of all time. Through nine decades the Reverso has continually reinvented itself without ever compromising its identity: it has housed more than 50 different calibres, while its blank metal flip side has become a canvas for creative expression, decorated with enamel, engravings or gemstones. Today, 90 years after the Reverso was born, it continues to epitomise the spirit of modernity that inspired its creation.

jaeger-lecoultre.com

 

 

 

 

LONDON, 16 February, 2021: The award-winning Singaporean designer, Simone Ng, debuted Simone Jewels 15 years ago, and in celebration of this momentous occasion she is delighted to announce the release of her latest collection ‘From Russia With Love’. 

Inspired by Russian heritage, the collection, originally released back in 2011, has been revisited with a contemporary approach encapsulating new stunning elements. Designed with incredibly detailed craftmanship and artistic flair, a key feature of the collection is guilloché technique used in the renowned Fabergé eggs for the elaborate enamelling work and fine figurines.

Ballerina Ring in 18K Rose Gold with Pink Tourmaline and Diamonds ($14,350). Ballerina Earrings in 18K Rose Gold with Pink Tourmaline and Diamonds ($14,350)

 

The collection includes unique, one-of-a-kind pieces such as the Fabergé Delight. Handcrafted over five months, the egg, made of 18K white and rose gold is covered in diamonds, and opens up to a reveal a miniature white enamel Russian ballerina.  The clasp is adorned with a vivid red ruby to finish off this luxurious pendant fit for royalty.

Faberge Delight in 18K White and Rose Gold with Ruby, Diamonds and Enamel ($22,550)

 

Commenting on ‘From Russia With Love’, Founder and Executive Creative Director of Simone Jewels, Simone Ng said, “I have always been absolutely fascinated by the grandeur of Russian and my inspiration for this collection was drawn from the craftmanship and intricacy of the royals’ elaborate pieces.”

She adds “Russian royalties have owned some of the world’s most exquisite jewellery, with Catherine the Great, the Empress of Russia, believing that great jewels were as important as a great army!”

Ballerina Earrings in 18K Rose Gold with Pink Tourmaline and Diamonds ($11,000)

 

Launched in 2014 Simone’s designs are inspired by history, architecture, culture and each creation made is an heirloom of timeless essence, transformable and transformative. 

The new ‘From Russia With Love’ collection is now available.

A few years ago, Russian Irina Kazaridi started her career as an international photo-grapher. Since then she travels the world to shoot the “behind the scenes moments“ of polo. In St. Moritz she presents an exhibition of her work at the VIP tent.

Irina Kazaridi, a fine photographer who was an artist since childhood & studied art in St. Petersburg before going to the European Institute of Design in Milan.

She has exhibited different shows in various cities around Russia, Europe & Dubai. Including “Persistence of Vision”, about permanent and changeable, it’s a series of seascapes photographed over a period of time. “Light Frequency”, a series about yachts at night -Illusory play of light and reflections.

The research of a new story which could give an eternal inspiration led the artist into the world of horses: the grace enclosed in the anatomy of the animal, the sculptural lines of the croup and the majestic neck turn- the search of creating the perfect portrait – in the incessant pursuit of perfection.

Culture and tradition of horses originates in the East.

Hence the interest and love of the artist to places such as Meydan , where some of the brightest races of the world take place, and on the stables you can take pictures of the best horses.

Polo is another passion of the artist, which is reflected in her latest collection – emotion and human connection combine in this remarkable series. Irina travels the world from Normandy, Tuscany , St Moritz, Spain , Argentina, Dubai & Palm Beach capturing the drama and majestic grace of horse, rider, spectator trinity.

About my style and technique:

Characteristic techniques and features that form my style:

I work alone and have no any assistance in my shootings , except the groom or horseman. I don’t use any lamps, flashes or artificial lighting-

I Love to work with the natural sun light : diffuse, reflected or direct, which looks more natural on the photo and also is more comfortable for the horses.

The worthy result depends not only on my professionalism and a good camera;

it’s a series of circumstances putted together , as a weather conditions and light, character and current mood of the horse.

That’s why The results of shootings are often unpredictable, It’s kind of lottery, where the Luck is an irreplaceable factor.

In my frame, I want to emphasize the beauty of my model and even make it more perfect than in reality : I attach great importance to graphic forms, perfect composition and light.

Most of my works are black and white , minimalistic , on a white background.

Maybe that’s why my horse portraits are very graphic, and in my opinion, they are the perfect design item.

I like the idea of deliberately creating my work for interiors – probably because my muses are designers who revere horses , like Christian Liagre, Gilles & Boissier, Hermès…

Images: © Irina Kazaridi

[ngg src=”galleries” ids=”1106″ display=”basic_thumbnail” thumbnail_crop=”0″] 

www.irinakazaridi.com • instagram #irinakazaridi

Jaguar Classic will create six matched pairs of E-types to celebrate the iconic sports car’s 60th anniversary in 2021:
the E-type 60 Collection.

  • In March 2021 Jaguar will celebrate the 60th anniversary of the iconic E-type
  • Jaguar Classic is creating six limited-edition matched pairs of restored 3.8 E-types
  • E-type 60 Edition specification includes commemorative detailing and exclusive paint colours, paying tribute to two of the most famous examples: ‘9600 HP’ and ‘77 RW’
  • The E-type 60 Collection is available to order now. Customers interested in this unrepeatable opportunity should contact Jaguar Classic directly: www.jaguar.com/classic, +44 (0) 2476 566 600, sales@classic-jaguarlandrover.com
  • For regular updates from Jaguar Classic, including the progress of the E-type 60 Collection, follow the new official @Jaguar.Classic account on Instagram

Jaguar Classic will create six matched pairs of E-types to celebrate the iconic sports car’s 60th anniversary in 2021: the E-type 60 Collection.

Each pair of E-type 60 Edition cars pay tribute to two of the oldest and most famous Jaguar E-types of all: ‘9600 HP’ and ‘77 RW’, which played pivotal roles in the unveiling of the car at its world debut in Geneva, Switzerland in March 1961.

An Opalescent Gunmetal Grey 3.8-litre Fixed-Head Coupe registered ‘9600 HP’ was one of the first two E-types unveiled to specially-invited guests at the Parc des Eaux Vives. Driven ‘flat out’ to Switzerland from Coventry the night before the launch, public relations manager Bob Berry arrived with minutes to spare for demonstration drives.

With an outstanding reaction to the E-type resulting in overwhelming demand for drives with Berry, legendary Jaguar Test and Development Engineer Norman Dewis was told to ‘drop everything’ and drive a British Racing Green 3.8-litre roadster registered ‘77 RW’ overnight from Coventry to Geneva.

Both cars were also used for media road tests, which proved the car’s sensational performance –including its 150mph top speed – matched its jet aircraft-inspired lines honed in a wind tunnel by aerodynamicist Malcolm Sayer.

Every E-type 60 Edition built by the team at Jaguar’s Classic Works facility in Warwickshire will be an existing 1960s 3.8-litre E-type fully-restored to exclusive 60th anniversary tribute specification.

Each E-type 60 Collection pair will include one Flat Out Grey ‘9600 HP’ coupe and one Drop Everything Green ‘77 RW’ roadster, with unique paint formulations exclusively reserved for these cars. Each E-type 60 Edition will feature a number of 60th anniversary commemorative design details created in conjunction with Jaguar Design Director Julian Thomson.

Synonymous with the revolutionary zeitgeist of the Swinging Sixties, E-types were owned by celebrities including Steve McQueen, Brigitte Bardot, Frank Sinatra, George Harrison, Tony Curtis and Britt Ekland. And, thanks to the beauty of its sculptural forms, its functionality and its impact on design, an E-type became only the third car to join The Museum of Modern Art’s design collection in 1996.

“The Jaguar E-type is a genuine icon, as sensational today as the moment it was unveiled in 1961. It’s testament to the E-type’s advanced design and engineering that it can still be enjoyed and admired as passionately almost 60 years on. The E-type 60 Collection is a lasting tribute for E-type admirers, honouring the car’s legacy and the achievements of the team that created it – many of whom have descendants working for Jaguar Classic today, expertly restoring, maintaining and future-proofing enjoyment for generations to come.” DANIEL PINK DIREKTOR, JAGUAR CLASSIC

Jaguar Classic is the world’s number one source of genuine parts and owner services for the E-type – from health-checks and sympathetic upgrades to restoring expertly selected examples to ‘Reborn’ specification, meticulously returning them to as-new condition.

For more information on the full range of cars, services, parts and experiences offered by Jaguar Classic, visit: www.jaguar.com/classic

For regular updates from Jaguar Classic, including the progress of the E-type 60 Collection, follow the new official @Jaguar.Classic account on Instagram.

You know those stories about Rolls-Royce? They are all true

Upon announcing that Rolls-Royce equips its motor cars with a refrigerator that has two cooling modes: ‘Summer’ and ‘Winter’, thus ensuring occupants’ beverages are delivered at the optimum temperature for the relevant season, the marque has witnessed significant interest in the myths and legends that endear so many to the brand. In this spirit, the time is now to reveal more of the truths that have defined the modern Rolls-Royce success story.

Images: Rolls-Royce

1) At prototype stage the 6.75-litre Rolls-Royce V12 engine had to faultlessly revolve 750million times before being approved for production.

2) The mechanism that retracts the Spirit of Ecstasy to prevent theft and damage is comprised of 24 unseen linkages and bearings.

3) 14 highly qualified Rolls-Royce engineers run a fleet of 16 intensive test vehicles 365 days a year on top of their normal workloads. They do this without complaint.

4) The sensors in a Rolls-Royce are so sensitive they are able to detect if a driver or passenger shifts their body weight from one side to the other and adapt accordingly.

5) The 1300 Watt, 18 speaker Bespoke Audio system in a Rolls-Royce is so exhaustively tuned, interior designers must seek the permission of the audio engineer who created it before making any design changes.

6) Much like the wood veneer inside a Rolls-Royce motor car, the weave of the carbon-fibre that makes up the central spine of Dawn’s ‘Aero Cowling’ tonneau cover is expertly hand book-matched to achieve a perfect chevron pattern.

7) The marque’s lauded Starlight Headliner began as a Bespoke request. A Rolls-Royce client was suffering from Photophobia, an extreme sensitivity to light, and was only able to enjoy reading his daily newspaper under the starlight on his rural ranch. He requested that the marque develop a similar ambience in his Rolls-Royce.

8) The marque’s Bespoke designers increasingly facilitate commissions via mobile messaging services. Indeed, one of the first clients to take delivery of her Cullinan commissioned the motor car entirely via WhatsApp, witnessing the finished product for the first time upon its arrival at her home in the United States of America.

9) Before building the ‘Clean Room’ where the ‘Gallery’ fascia within Rolls-Royce Phantom is assembled, Associates from The Home of Rolls-Royce visited pharmaceutical and microprocessor Clean Rooms in order to fully understand these complex manufacturing laboratories.

10) A Rolls-Royce Wraith ascended the famous hill-climb at the 2015 Goodwood Festival of Speed in just 52.71 seconds. A feat that could not be bettered by two Maserartis, a Porsche and a Bentley.

11) Sommeliers advise that the optimum serving temperatures of non-vintage Champagne is six degrees centigrade and vintage Champagnes is 11 degrees centigrade. Rolls-Royce equips its motor cars with a refrigerator that operates two cooling modes, chilling to six degrees and 11 degrees respectively. 

12) Phantom’s world-leading sound insulating properties were employed by London-based musician Skepta, who was able to record a track in its entirety from the rear seat.

13) 4,500 automated electronic test and commissioning sequences are executed during assembly to ensure the car is crafted to its correct specification. A further 3,500 take-place once the car is finished. A car must pass every test before it is permitted to leave the factory.

14) Over 100 microprocessors decipher 130 million lines of code, ensuring every Rolls-Royce’s suite of cutting edge technological features can be called upon instantly and seamlessly by the driver or passengers.

15) Over 25m of cabling is used to transfer audio data in a Rolls-Royce. Fiber-optic cabling is used to ensure immunity against interference.

16) In 2018, Rolls-Royce added shooting stars to its celebrated Starlight Headliner with eight shooting stars that fire at random across the ceiling panel.

17) To achieve the marque’s mirror-like finish, 5 layers of paint are applied by the only robots you will find at the Home of Rolls-Royce. Any hard-to-reach spots are painted by highly skilled paint experts. In total the process of applying a flawless exterior finish takes seven days and uses over 100lb of paint.

18) Paint quality is checked by the most sophisticated measuring tool in the world: the human eye. If a car does not meet with the approval of the marque’s notoriously fastidious auditors, it will be scrapped.

19) It takes 17 days to hand-craft the leather elements of a Rolls-Royce interior.

20) The most detailed single piece of embroidery to feature in a Rolls-Royce motor car is a Peregrine Falcon, the fastest bird in the world. The photo-realistic design consists of nearly 250,000 stitches and took a team of designers, craftspeople and engineers over one month to develop.

21) The 48 painstakingly crafted wood parts that comprise a Phantom interior take 28 days to produce. A sense of seamless flow of grain is ensured by only using wood from one tree for each motor car.

22) Mark Court is the only man in the able to hand-apply a perfectly straight Phantom coachline. In total it takes 3 hours per side. He uses special brushes made from ox and squirrel hair to ensure the line is precisely level and a uniform 3mm in width. He honed his steady-hand painting pub-signs.    

23) Engineers will analyse cavities with an endoscope during monsoon water tests to ensure no moisture ingress. Should a car fail this test it will be scrapped.

24) A Rolls-Royce is so quiet, Sir Henry Royce ordered the fitting of signs at the factory proclaiming ‘Caution, Silent Cars’. Modern health and safety dictates that craftspeople maneuvering cars around the Manufacturing Plant must intermittently sound the horn as a warning.

25) A Rolls-Royce rides on a 16litre air cushion married to dampers and springs that dynamically adjust themselves every five milliseconds to deliver the marque’s sovereign magic carpet ride.

26) When driven in a spirited manner the Rolls-Royce suspension system can draw on two high-torque electrical motors to minimise body-roll.

27) Legend has it that during a particularly spirited birthday celebration, Keith Moon drove his Corniche into a hotel swimming pool. This story is untrue – he was far too fond of his Rolls-Royce to let it come to harm. 

28) When creating the Rolls-Royce Architecture, on which all contemporary Rolls-Royces are built, engineers incorporated a resonance chamber into the body’s sill section. This, essentially, transforms the body of the motor car into a subwoofer, delivering exceptional low frequency audio performance.

29) A tailor made heat station brings every Rolls-Royce body to an exact temperature of 25 degrees Celsius to ensure that the rubber seal between the sunroof and the body is perfectly mated, this eliminates any road and wind noises over many years of driving.

30) It takes 60 pairs of hands 400 hours to build a Rolls-Royce – this can more than double depending on the complexity of a Bespoke commission.

31) Rolls-Royce sells cars on five continents. Should a customer live in a country without a dealer, specially trained technicians will fly to their home country to service their car. This small band of experts have been affectionately dubbed ‘Flying Doctors’.

32) The brief given to the marque’s engineers tasked with developing the roof mechanism for the Rolls-Royce Dawn was to create a silent ballet. They emphatically succeeded. While being the largest production convertible roof in the world, it is also the quietest. 

33) During the testing period of the Rolls-Royce Dawn, lead Test and Analysis engineers were required to wear shorts so they were able to detect unpleasant airflow around their legs and feet. This testing was conducted in January at three degrees centigrade.

34) At 70 mph, a Rolls-Royce still has 90% of its power left in reserve.

35) A sensor within the Gallery Clean Room continually measures the particle concentration in microns – an alert is sent if particles are detected at a size larger than 0.001 of a micron. The width of a human hair is between 50-100 microns in diameter.

36) Every single component that makes a Phantom Gallery is painstakingly cleaned by hand inside a particle proof cleanroom before final assembly – this takes two people two hours to complete.

37) The Spirit of Ecstasy is so valued by the marque that there is a safe lock on the shop floor containing no more mascots than the necessary for one day of production. The code is known only by a small circle of craftspeople.

www.rolls-roycemotorcars.com

 

© Thomas Wirth

Designed for the modern woman with style, the exclusive jewelry of Delfina Delettrez Fendi combines classic pieces with modern design in honor of the newly renovated The St. Regis Rome.

Marriott International‘s St. Regis Hotels & Resorts brand has been working with Delfina Delettrez Fendi, the founder and designer of the Delfina Delettrez brand, since this year. Inspired by the recently completed 40 million renovation of St. Regis Rome, Delettrez presents an exclusive limited collection of three selected gold jewellery pieces: an exquisite open necklace, earrings and a double ring with refined details. The Capsule Collection has been available since mid-June and the pieces cost from 1,050 euros.

Jenni Benzaquen, Vice President Europe for Marriott International‘s luxury brands, said: „Delfina Delettrez has an extraordinary aesthetic sense of how past and present can be linked by combining traditional Italian craftsmanship with her modern, unique style. As part of its collaboration with St. Regis, its Capsule Collection perfectly embodies the recent redesign of St. Regis Rome. Delettrez‘s passion for her native Rome and its everlasting esprit has also been incorporated.“ Delettrez is among Forbes Magazine‘s „30 under 30“ and has been nominated for the „Business of Fashion 500“, a list of people who are changing the international fashion industry. The designer is the fourth generation of the Fendi family and founded her company in 2007. Since the launch of her brand, she has developed a unique aesthetic that combines classic goldsmith techniques with innovative, contemporary materials. The result: modern, futuristic jewellery. A lot of heart and soul goes into every design. The designs are implemented in artistic handwork by masters of their trade.

„Rome is a city where contrasts from the past and the present coexist in a unique and harmonious way,“ explains Delfina Delettrez. „The renovation of St. Regis Rome demonstrates the duality of this city by combining an angular, modern look with historical architecture. To usher in this new era for St. Regis Rome, I wanted to create a classic shape with a new, modern twist. I love the idea that each piece can be worn in two different ways – as an expression of the dual character of the house.“

www.stregis.com
www.stregisboutique.com
www.delfinadelettrez.com

© Thomas Wirth

A unique hotel for unique guests, the luxury Hotel Madero is improving constantly to ensure its guests their comfort and best services; this modern hotel presents the renewed Signature Suite designed to meet the highest standards.

Hotel Madero is truly different. The property is located on the trendy and exclusive dock area Puerto Madero and just a short walk from the antique art galleries of San Telmo, the hip bars and restaurants, and the iconic Puente de la Mujer. The environment is warm, welcoming and the service is friendly yet top-notch. The décor is artistic, refined and the vibe is ultra-cool.

The new Signature Suite is really one of a kind. Besides from the comfortable and modern room, the private terrace has an exterior daybed where the guests are able to get a great view from Puerto Madero district. The sunset seen from this terrace is magnificent! Full of natural light and exquisitely designed, it is conceived to transform your morning start in a pleasurable experience.

With a focus on style and design, the hotel has in addition, other 197 spacious and innovative rooms. When you put your key card in the lock and open the door to your room or suite you will find a spacious, chic room – most of which have a private balcony – equipped with everything you need for a great stay. You can also enjoy the complimentary buffet breakfast every morning!

When the evening comes and your mood just look for relax and chill, the White Bar features an exclusive terrace with a chic ambiance and great music. The Executive Chef of the award-winning Rëd Resto & Lounge has created an inventive menu of Argentinean Author Cuisine with a French touch complemented by an impressive wine cellar featuring the most prestigious Argentine wines.

Enhance your wellness at Madero Spa, located on the top floor, where pampering and relaxation will exceed your expectations. Indulge in our sauna or take a dip in our swimming pool after stretching. It is also the perfect place to enjoy a massage or facial.

 

FROM THE TOP – Rooftop Cocktails

Once a month, the hotel celebrates a really fun party at their
Rooftop with Dj Sets, Sushi Bar and Signature Cocktails.

The great part is: if you are a guest at the hotel, you are invited!

 

www.hotelmadero.com

 

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