art

Adélaïde Leferme
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Portrait of a passionate artist driven by her admiration for horses, whose artworks‘ blazing movement and dazzling colors should find their place in every onlooker‘s heart, be it love at first sight or at command.

As a Fine Arts graduate, interior designer and cultural engineer, it is crucial to me to paint singled out works for each and everyone. From my background and my taste for luxury and beauty, I especially value the use of materials as precious as gold powder or crushed gemstones, with the aim of making each painting or clothing exceptional and unique. Which is of course crucial when the artwork happens to be an order.

My rapturous enthusiasm for movement is not new. I always used to dance. As a little girl, I dreamt of a ballerina life. Growing an adult, I became more of a ballroom dancer. Travel is likewise second nature to me. Namibia, Iceland, Senegal, Tanzania, Kenya, Thailand, Indonesia, Mexico, Egypt, Morocco, and more, are all destinations that have richly fed my pictorial work.

My passion for art and horses began in childhood. Their stirring eyes and stunning figure with such gracious gaits touched me to the core. To my mind, polo combines elegance, boldness and accuracy. I literally fell in love with that sport, and when in front of my easel looking at the field, I attend a chucker, I may let emotion rush on me by itself. By so creating, pieces of art can come alive, and become three dimensional, to the point for the viewer of being color splashed through the canvas.

Feeling that one could thrill so intensely made me realize that polo truly is the game of kings and the king of games.
Portrait of a passionate artist driven by her admiration for horses, whose artworks‘ blazing movement and dazzling colors should find their place in every onlooker‘s heart, be it love at…
Contemporary Art Exhibition Louvre Abu Dhabi Art
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INTERNATIONAL JURY PANEL FOR LOUVRE ABU DHABI ART HERE 2021 AND THE RICHARD MILLE ART PRIZE UNVEILED

• Comprising esteemed art experts from around the world, the jury will select the artists to be featured in the Louvre Abu Dhabi Art Here 2021 exhibition from 16 November 2021 to 27 March 2022

• The call for proposals for UAE-based artists is open until 11 September; proposals can be submitted via Louvre Abu Dhabi’s website

Abu Dhabi, UAE, 18 August 2021: Louvre Abu Dhabi and Swiss watchmaking brand Richard Mille have revealed the jury for the inaugural edition of their contemporary art exhibition Louvre Abu Dhabi Art Here 2021 and The Richard Mille Art Prize. Composed of four members, the jury has been drawn from diverse artistic spheres including curatorial, architectural and institutional. The distinguished panel will first select a shortlist of artists to participate in the upcoming exhibition, from the ongoing open call for proposals, and following the exhibition launch will award a $50,000 cash prize to the 2021 recipient of The Richard Mille Art Prize. 

The 2021 jury members are H.H. Sheikh Zayed bin Sultan bin Khalifa Al Nahyan, Chairman of UAE Unlimited, an art collector and patron of the Centre Pompidou, the British Museum, Sharjah Art Foundation, and an honorary patron of Art Dubai; Christine Macel, the Chief Curator at the Musée national d’art moderne, Centre Pompidou and an art critic; Hala Wardé, founding architect of HW Architecture, long-term partner of Jean Nouvel and the lead of the Louvre Abu Dhabi project; and Dr. Souraya Noujaim, Louvre Abu Dhabi’s Scientific, Curatorial and Collections Management Director. 

“Louvre Abu Dhabi Art Here 2021 breathes new life into the role of the museum by not merely celebrating the past, but rooting and contextualising contemporary art in its present setting through interactions and links with contemporary artists,” said Dr. Noujaim. “We are happy to launch this new chapter in collaboration with Richard Mille, marking Louvre Abu Dhabi’s continued extension into contemporary art and highlighting our ever-present dedication to local artistic talent. For this first edition, we are privileged to have the support and expertise of our esteemed jury members, who have demonstrated their commitment to Louvre Abu Dhabi and their strong interest in the local contemporary art scene.”

The artists shortlisted by the jury will showcase their work in the Louvre Abu Dhabi Art Here 2021 exhibition, on view from 16 November 2021 to 27 March 2022 in the museum’s Forum, a space of interaction and exchange dedicated to contemporary art. From among these shortlisted artists, the jury will select the recipient of the first edition of The Richard Mille Art Prize.

For this inaugural year, UAE-based artists are invited to submit proposals around the theme of ‘Memory, Time and Territory’, with the exhibition and prize shining a spotlight on local talent as part of the UAE’s wider 50th National Day celebrations. Proposals from the open call may be submitted until 11 September 2021 via the Louvre Abu Dhabi website.  

For more information about Louvre Abu Dhabi Art Here 2021 exhibition and The Richard Mille Art Prize, please visit www.louvreabudhabi.ae. 

For 2021 jury members’ biographies, please click here.

www.richardmille.com

INTERNATIONAL JURY PANEL FOR LOUVRE ABU DHABI ART HERE 2021 AND THE RICHARD MILLE ART PRIZE UNVEILED • Comprising esteemed art experts from around the world, the jury will select…
LOUVRE ABU DHABI AND RICHARD MILLE
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LOUVRE ABU DHABI AND RICHARD MILLE CREATE NEW EXHIBITION AND ART PRIZE TO SHOWCASE RISING CONTEMPORARY ART TALENT

Louvre Abu Dhabi and Swiss watchmaking brand Richard Mille have jointly announced the launch of a new annual exhibition – to be called Louvre Abu Dhabi Art Here – and the creation of The Richard Mille Art Prize, with the aim of promoting the best of contemporary art. For its inaugural year, the exhibition and prize will shine a spotlight on Emirati and UAE-based artists as part of the UAE’s wider 50-year Jubilee celebrations.

Louvre Abu Dhabi Art Here will be an exciting new international exhibition which will serve as an annual platform to showcase contemporary artists working in a variety of media. Each year the exhibition will see four to six artists selected through an open call for proposals, with each exhibiting their artwork in the Forum, a space of interaction and exchange within Louvre Abu Dhabi dedicated to contemporary art. Louvre Abu Dhabi Art Here 2021 will take place in November of this year.

Following their submissions, one of the chosen artists will be awarded The Richard Mille Art Prize, with the announcement of the winner to take place in a ceremony organised at Louvre Abu Dhabi. The annual cash reward of US$50,000 will be part of a ten-year commitment between the museum and Richard Mille.

“The announcement of the creation of The Richard Mille Art Prize and the Louvre Abu Dhabi Art Here exhibition is the latest reminder that Abu Dhabi is accelerating its support and promotion of local creative talent, while simultaneously cementing its position as an attractive and inspiring destination for global creatives,” said HE Mohamed Khalifa Al Mubarak, Chairman of the Department of Culture and Tourism – Abu Dhabi. “We already know that world-class artists live among us. This new prize and accompanying exhibition will serve to spotlight the best of current UAE artistic talent in a year where our nation is both celebrating 50 years of achievement and looking forward to the next 50.”


HE Mohamed Khalifa Al Mubarak – Courtesy of Department of Culture and Tourism – Abu Dhabi

Today’s open call for proposals invites submissions from Emirati and UAE-based artists around the theme of ‘Memory, Time and Territory’. This theme has particular resonance in the context of the UAE‘s Jubilee celebrations, allowing artists to reflect on the country‘s legacy as a territory where questions of past, present and future combine and overlap. Proposals may be submitted until 31 August. The shortlist of candidates will be selected by a jury of international art experts, to be announced at a later date.  

Peter Harrison, CEO of Richard Mille EMEA, said, “In a few short years, Louvre Abu Dhabi has become one of the most iconic art museums in the world. Richard Mille and Louvre Abu Dhabi are both built upon the tenets of excellence in innovation, artistry, mastery and savoir-faire. As an avid art collector, I have long been inspired by the visionary perspectives brought to light by contemporary artists. Therefore, I’m especially proud to see this collaboration between Louvre Abu Dhabi and Richard Mille come to life, dedicated to nurturing the next generation of artistic talent. The Richard Mille Art Prize will redefine the benchmarks of contemporary creativity, with a goal to offer exceptional artists the opportunity to create a new dimension of their potential.”


Peter Harrison, CEO, Richard Mille EMEA – © Photo by Renaud Corlouer

“Our partnership with Richard Mille represents a mutual, long-term commitment to supporting contemporary artistic talent within the UAE and this region, while connecting Louvre Abu Dhabi to its territory,” said Manuel Rabaté, Director of Louvre Abu Dhabi. “We aim to provide these artists with a highly visible platform from which to come together and showcase their work to both our community and the global audience. This initiative also represents a decisive step forward by Louvre Abu Dhabi into the arena of contemporary art, as we further expand on our mission to shine a light on the cultural connections which unite us all.”


Manuel Rabaté, Director of Louvre Abu Dhabi – Department of Culture and Tourism – Photo Mohamed Somji

The announcement of the winner of the inaugural Louvre Abu Dhabi Art Here 2021 and The Richard Mille Art Prize will run parallel to the UAE’s cultural season, which is made up of Dubai Expo 2020, Abu Dhabi Art, Dubai Design Week and Art Dubai; an exciting addition to a growing local calendar celebrating modern-day creativity. Louvre Abu Dhabi Art Here 2021 exhibition will run from November 2021 to March 2022.

www.richardmille.com

 

 

LOUVRE ABU DHABI AND RICHARD MILLE CREATE NEW EXHIBITION AND ART PRIZE TO SHOWCASE RISING CONTEMPORARY ART TALENT Louvre Abu Dhabi and Swiss watchmaking brand Richard Mille have jointly announced…
KHALILIAN: Equestrian Art Carpets
VIEW POST

Art for the moments of life
An Interview with the Doctor and Artist Dr. Farzam Khalilian

© POLO+10 by Alexander Nebe / Photography Karsten Eichhorn

How and when did the idea for the founding of „Khalilian Equestrian Carpets“ came about?
Five years ago I was at the CHIO riding tournament in Aachen. It was a beautiful day – and I was enjoying the moment; watched the hustle and bustle around me, the horses, the people. And suddenly a question shot through my head: Why are there no elegant, classy carpets with horse motifs in its design?

So it was like some kind of creative enlightenment?
Absolutely (laughs). Suddenly I felt like an unconditionally enthusiastic child again. After that, I carried the idea around with me for some time without really taking action. Finally, in 2017, I actually started drafting the first design and put some of the ideas in my head on paper.

Would you say that the fascination for horses has grabbed you?
Definitely! However, I’ve been enthusiastic about horses since I was a child. Horses have always interested and accompanied me. They are impressively graceful beings who effectively convey their pride and beauty to the outside world.

Where are your carpet designs implemented and how long does it take to make them?
The carpets are made in selected manufactories in the Orient – with strict regulations, especially with regard to child labor. We only use the highest quality materials such as wool from Mongolian sheeps or Tibetan silk. The carpets are knotted in two layers and yet it usually takes around six months before a carpet is finished. With a knot density of up to 500.000 knots per square meter or more you can imagine very well why it takes such a long time. It’s real manual work – a very impressive and artful craft.

In which quantities do you produce?
Some carpets are unique. We produce a maximum of five pieces per design, depending on size and color weighting.

Artful carpets are one thing. As an artist, you also create „String-Art“ works. How did you come up with this art form?
My first school lesson in Germany is to blame for that. (smiles) When I was taken to the classroom, all students drove nails into boards according to a precise template and then created their pictures with colored threads. I have always fondly remembered this first formative experience from my new homeland. Years later – ok, decades later (laughs) – I started to reinterpret the technology.

Reinterpreted to what extent?
I use very thin and filigree threads for my pictures, which allow different shades and also color accents to be worked out particularly well. It’s very important to me that in the end the most varied details in portraits or horse heads are clearly worked out. For the last picture I used about ten kilometers of thread. This length could have been laid almost one and a half times around the Hamburg Alster.

What is special about this art form?
I find it really fascinating when you „paint a picture“ with threads. It’s simple but expressive. And hopefully I’m not alone with this opinion. (smiles)

How long does it take to complete a String-Art image?
That always depends on how large the format and how complicated the desired motif is. Portraits of people are more difficult and challenging than horses, natural or architectural motifs. Basically, however, I sit at a picture for several weeks, but sometimes the creative process goes a little faster.

To which countries have you already sold your works?
My first commission came from the royal family in Abu Dhabi. In the meantime, I also sell to New York and California, to Japan, South America or to the Moroccan royal family. Even a german family that produces cars in Stuttgart is now one of my customers. These addresses are a great honor for my work. However, the most important thing for me is to have created something with my art that brings joy to its new owner every day. No matter who and no matter where.   

Can you draw parallels between your art and your work, the art form of cardiac surgery?
Both require the highest precision, concentration and dedication. Both activities make me feel very happy. The key difference is: In my artistic work I can also allow myself to make a mistake – not in an operation!

Do you also do individual remittance work for your clients?
Yes, with pleasure! The joint creative process is not only often very inspiring, it also leads to good conversations and sometimes even to a friendship. And I really appreciate that!

The horse plays a major role in your art. Will it stay that way in the future?
The horse is and remains omnipresent in my art. But there will definitely be excursions that are less focused on this subject.

The carpets and String-Art-pictures were created from defining moments in your life. Does that mean we can look forward to more artful stories that your life has written so far?
Definitely! I’m already working on some new art projects, including a Polo-Collection planned for 2021. I’m sure that great pieces will be created because the world of Polo inspires me many levels. If you don’t like the Polo-Collection you can scold me at the next meeting. (laughs)

www.khalilian.art
@khalilian.art

 

String-art „Amenity“ / 120 x 120 cm / ca 4 km thread © Farzam Khalilian
Art for the moments of life.

[embedyt] https://www.youtube.com/watch?v=XkFJ5BCIM2k[/embedyt]

 

Pictures by Karsten Eichhorn

[ngg src=”galleries” ids=”1109″ display=”basic_thumbnail” thumbnail_crop=”0″]

Art for the moments of life An Interview with the Doctor and Artist Dr. Farzam Khalilian © POLO+10 by Alexander Nebe / Photography Karsten Eichhorn How and when did the…
KHALILIAN: Equestrian Art Carpets
VIEW POST

Art for the moments of life
An Interview with the Doctor and Artist Dr. Farzam Khalilian

© POLO+10 by Alexander Nebe / Photography Karsten Eichhorn

How and when did the idea for the founding of „Khalilian Equestrian Carpets“ came about?
Five years ago I was at the CHIO riding tournament in Aachen. It was a beautiful day – and I was enjoying the moment; watched the hustle and bustle around me, the horses, the people. And suddenly a question shot through my head: Why are there no elegant, classy carpets with horse motifs in its design?

So it was like some kind of creative enlightenment?
Absolutely (laughs). Suddenly I felt like an unconditionally enthusiastic child again. After that, I carried the idea around with me for some time without really taking action. Finally, in 2017, I actually started drafting the first design and put some of the ideas in my head on paper.

Would you say that the fascination for horses has grabbed you?
Definitely! However, I’ve been enthusiastic about horses since I was a child. Horses have always interested and accompanied me. They are impressively graceful beings who effectively convey their pride and beauty to the outside world.

Where are your carpet designs implemented and how long does it take to make them?
The carpets are made in selected manufactories in the Orient – with strict regulations, especially with regard to child labor. We only use the highest quality materials such as wool from Mongolian sheeps or Tibetan silk. The carpets are knotted in two layers and yet it usually takes around six months before a carpet is finished. With a knot density of up to 500.000 knots per square meter or more you can imagine very well why it takes such a long time. It’s real manual work – a very impressive and artful craft.

In which quantities do you produce?
Some carpets are unique. We produce a maximum of five pieces per design, depending on size and color weighting.

Artful carpets are one thing. As an artist, you also create „String-Art“ works. How did you come up with this art form?
My first school lesson in Germany is to blame for that. (smiles) When I was taken to the classroom, all students drove nails into boards according to a precise template and then created their pictures with colored threads. I have always fondly remembered this first formative experience from my new homeland. Years later – ok, decades later (laughs) – I started to reinterpret the technology.

Reinterpreted to what extent?
I use very thin and filigree threads for my pictures, which allow different shades and also color accents to be worked out particularly well. It’s very important to me that in the end the most varied details in portraits or horse heads are clearly worked out. For the last picture I used about ten kilometers of thread. This length could have been laid almost one and a half times around the Hamburg Alster.

What is special about this art form?
I find it really fascinating when you „paint a picture“ with threads. It’s simple but expressive. And hopefully I’m not alone with this opinion. (smiles)

How long does it take to complete a String-Art image?
That always depends on how large the format and how complicated the desired motif is. Portraits of people are more difficult and challenging than horses, natural or architectural motifs. Basically, however, I sit at a picture for several weeks, but sometimes the creative process goes a little faster.

To which countries have you already sold your works?
My first commission came from the royal family in Abu Dhabi. In the meantime, I also sell to New York and California, to Japan, South America or to the Moroccan royal family. Even a german family that produces cars in Stuttgart is now one of my customers. These addresses are a great honor for my work. However, the most important thing for me is to have created something with my art that brings joy to its new owner every day. No matter who and no matter where.   

Can you draw parallels between your art and your work, the art form of cardiac surgery?
Both require the highest precision, concentration and dedication. Both activities make me feel very happy. The key difference is: In my artistic work I can also allow myself to make a mistake – not in an operation!

Do you also do individual remittance work for your clients?
Yes, with pleasure! The joint creative process is not only often very inspiring, it also leads to good conversations and sometimes even to a friendship. And I really appreciate that!

The horse plays a major role in your art. Will it stay that way in the future?
The horse is and remains omnipresent in my art. But there will definitely be excursions that are less focused on this subject.

The carpets and String-Art-pictures were created from defining moments in your life. Does that mean we can look forward to more artful stories that your life has written so far?
Definitely! I’m already working on some new art projects, including a Polo-Collection planned for 2021. I’m sure that great pieces will be created because the world of Polo inspires me many levels. If you don’t like the Polo-Collection you can scold me at the next meeting. (laughs)

www.khalilian.art
@khalilian.art

 

String-art „Amenity“ / 120 x 120 cm / ca 4 km thread © Farzam Khalilian
Art for the moments of life.

[embedyt] https://www.youtube.com/watch?v=XkFJ5BCIM2k[/embedyt]

 

Pictures by Karsten Eichhorn

[ngg src=”galleries” ids=”1109″ display=”basic_thumbnail” thumbnail_crop=”0″]

Art for the moments of life An Interview with the Doctor and Artist Dr. Farzam Khalilian © POLO+10 by Alexander Nebe / Photography Karsten Eichhorn How and when did the…
Irina Kazaridi: Polo & Horses
VIEW POST

A few years ago, Russian Irina Kazaridi started her career as an international photo-grapher. Since then she travels the world to shoot the “behind the scenes moments“ of polo. In St. Moritz she presents an exhibition of her work at the VIP tent.

Irina Kazaridi, a fine photographer who was an artist since childhood & studied art in St. Petersburg before going to the European Institute of Design in Milan.

She has exhibited different shows in various cities around Russia, Europe & Dubai. Including “Persistence of Vision”, about permanent and changeable, it’s a series of seascapes photographed over a period of time. “Light Frequency”, a series about yachts at night -Illusory play of light and reflections.

The research of a new story which could give an eternal inspiration led the artist into the world of horses: the grace enclosed in the anatomy of the animal, the sculptural lines of the croup and the majestic neck turn- the search of creating the perfect portrait – in the incessant pursuit of perfection.

Culture and tradition of horses originates in the East.

Hence the interest and love of the artist to places such as Meydan , where some of the brightest races of the world take place, and on the stables you can take pictures of the best horses.

Polo is another passion of the artist, which is reflected in her latest collection – emotion and human connection combine in this remarkable series. Irina travels the world from Normandy, Tuscany , St Moritz, Spain , Argentina, Dubai & Palm Beach capturing the drama and majestic grace of horse, rider, spectator trinity.

About my style and technique:

Characteristic techniques and features that form my style:

I work alone and have no any assistance in my shootings , except the groom or horseman. I don’t use any lamps, flashes or artificial lighting-

I Love to work with the natural sun light : diffuse, reflected or direct, which looks more natural on the photo and also is more comfortable for the horses.

The worthy result depends not only on my professionalism and a good camera;

it’s a series of circumstances putted together , as a weather conditions and light, character and current mood of the horse.

That’s why The results of shootings are often unpredictable, It’s kind of lottery, where the Luck is an irreplaceable factor.

In my frame, I want to emphasize the beauty of my model and even make it more perfect than in reality : I attach great importance to graphic forms, perfect composition and light.

Most of my works are black and white , minimalistic , on a white background.

Maybe that’s why my horse portraits are very graphic, and in my opinion, they are the perfect design item.

I like the idea of deliberately creating my work for interiors – probably because my muses are designers who revere horses , like Christian Liagre, Gilles & Boissier, Hermès…

Images: © Irina Kazaridi

[ngg src=”galleries” ids=”1106″ display=”basic_thumbnail” thumbnail_crop=”0″] 

www.irinakazaridi.com • instagram #irinakazaridi

A few years ago, Russian Irina Kazaridi started her career as an international photo-grapher. Since then she travels the world to shoot the “behind the scenes moments“ of polo. In…
Federation of international Polo & Art Collection
VIEW POST

In a joint initiative the Federation of International Polo, Polo & Art and Squinkbox in San Diego, California, the world of polo may have the opportunity to enjoy the art of polo.

Marcelo Decoud, ( an international veteran polo player) Ceo of Polo & Art and Patricio Lloret, Ceo of Squinkbox Printing ,together with FIP (Federation of International Polo) will launch in 2020 a web page with new and renowned artists dedicated to illustrating in their works different scenes of the sport of kings.

The Polo & Art website will feature an online art gallery, where polo lovers will not only appreciate the works of different artists, but also access them through high quality certified collectable limited edition giclee prints.

MELINDA BREWER , ART DIRECTOR OF POLO & ART
The artistic direction of the project is in charge of the renowned polo artist Melinda Brewer.

Melinda has been painting professionally since 1982, recognized as one of Canada’s foremost wildlife artists.Since 1992, Melinda has concentrated on her passion on one of her favorite subjects, equine art, both commissioned portraits and specifically the art of polo.  Her paintings have been featured in exhibitions at the Kentucky Derby Museum, the American Academy of Equine Art, and in polo clubs across North America.  Her polo pony portraits were  featured in an annual exhibition and in the permanent collection of International Polo Club Palm Beach. She is represented in the permanent collection “Horses to Remember” at the National Museum of Polo and Hall of Fame since 2000.  Her artwork has been featured in several polo magazines, including Hurlingham, and the USPA Polo Players Edition. She has contributed artwork and sponsorship to the American Polo Horse Association, the Polo Training Foundation as well as the Polo Players Support Group. Her work has been acclaimed and recognized by many polo players and polo enthusiasts as well as renowned art collectors.  Her work is appreciated for the sensitive understanding and detail in watercolor portraiture and for capturing the elegance and nuance of polo scenes.

THE POLO STARS PROJECT
Melinda is the author and creator of Polostars® a book published annually since 2002 featuring her polo art and polo pony portraits and biographies. She is currently working on the thirteenth volume in the series.  In partnership with the National Museum of Polo she has produced three books, Poloart, a season of polo and art.  She is currently working on the fourth book, available in early 2020.

Also the initiative make available to polo lovers the access for commissioned works requests which allows to create a personalized original artwork from a photograph.

www.fippolo.com

 

Polo & Art Collection:

Melinda Brewer, Melinda horses, ( the five polo ponies in B&W)

 

Guzman Garcia Lenguas, a novel artist from Uruguay.

© Thomas Wirth
In a joint initiative the Federation of International Polo, Polo & Art and Squinkbox in San Diego, California, the world of polo may have the opportunity to enjoy the art…
Delfina Delettrez: Luxury Collection
VIEW POST

Designed for the modern woman with style, the exclusive jewelry of Delfina Delettrez Fendi combines classic pieces with modern design in honor of the newly renovated The St. Regis Rome.

Marriott International‘s St. Regis Hotels & Resorts brand has been working with Delfina Delettrez Fendi, the founder and designer of the Delfina Delettrez brand, since this year. Inspired by the recently completed 40 million renovation of St. Regis Rome, Delettrez presents an exclusive limited collection of three selected gold jewellery pieces: an exquisite open necklace, earrings and a double ring with refined details. The Capsule Collection has been available since mid-June and the pieces cost from 1,050 euros.

Jenni Benzaquen, Vice President Europe for Marriott International‘s luxury brands, said: „Delfina Delettrez has an extraordinary aesthetic sense of how past and present can be linked by combining traditional Italian craftsmanship with her modern, unique style. As part of its collaboration with St. Regis, its Capsule Collection perfectly embodies the recent redesign of St. Regis Rome. Delettrez‘s passion for her native Rome and its everlasting esprit has also been incorporated.“ Delettrez is among Forbes Magazine‘s „30 under 30“ and has been nominated for the „Business of Fashion 500“, a list of people who are changing the international fashion industry. The designer is the fourth generation of the Fendi family and founded her company in 2007. Since the launch of her brand, she has developed a unique aesthetic that combines classic goldsmith techniques with innovative, contemporary materials. The result: modern, futuristic jewellery. A lot of heart and soul goes into every design. The designs are implemented in artistic handwork by masters of their trade.

„Rome is a city where contrasts from the past and the present coexist in a unique and harmonious way,“ explains Delfina Delettrez. „The renovation of St. Regis Rome demonstrates the duality of this city by combining an angular, modern look with historical architecture. To usher in this new era for St. Regis Rome, I wanted to create a classic shape with a new, modern twist. I love the idea that each piece can be worn in two different ways – as an expression of the dual character of the house.“

www.stregis.com
www.stregisboutique.com
www.delfinadelettrez.com

© Thomas Wirth
Designed for the modern woman with style, the exclusive jewelry of Delfina Delettrez Fendi combines classic pieces with modern design in honor of the newly renovated The St. Regis Rome.…
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